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Staff: Bill Tilford
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Cuba based rap duo, Zona Franka, blends traditional rhythms with the grit and swagger of hip-hop and rap vocal phrasings. Their clever shout choruses create instant tropical dance classics using their unique self-titled "changui con flow" style.
Authentic Latin Music Catalog for SYNC - TV & Film Music

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Monday, 01 October 2012, 01:44 PM

Fotopalooza!

Peter's Center for Latin Studies Conference Report and Two New Pedrito Galleries

Peter Maiden files this photo-report on the recent Center for Latin Studies conference with Bill Martínez, Raúl Fernández and others.

BOOK NEWS: Peter has also written an excellent book, Media Workers for Social Changeavailable in softcover, Kindle, iPad and Nook.

MORE BOOK NEWS: Robert Fernández is working on an instructional book on playing three batás with one player, and, along with Luca Brandoli, on the first transcription of the arará version of the Oru seco.

MORE BOOKS NEWS: My tome for dancers and non-musicians keeps growing. Should be done in less than  a month. (And yes, that's what I said last month and the month before that.)

Now, on to the latest galleries, both on the Pedrito Martínez Group. Peter Maiden photographed them at Yoshi's, and Tom Ehrlich at the Monterey Jazz . Tom's earlier Yoshi's gallery is here. [Kevin Moore]

Pedrito Martínez Group at Monterey Jazz Fest  - photo by Tom Ehrlich (click for gallery)

Pedrito Martínez Group at Yoshi's Oakland - photo by Peter Maiden (click for gallery)

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Sunday, 30 September 2012, 09:22 AM

RIP Paquito Hechavarría

Walfredo de los Reyes' Eulogy

A Special Article from Walfedo de Los Reyes, Sr.

In Memoriam: Paquito Hechavarría

This is a page of Paquito's life that I would like to share with all his friends and family. We date back to the early 50s, when Paco would show up at the Parisien in the Nacional Hotel in Habana and sit in with  my band after concluding his work with La Orquesta Riverside. 

This young talent at the time would blow me away. His immense talent and feel was amazing. He had the schooling of Pedro "Peruchín" Justiz, of course, sometimes referring to himself as the "White Peruchín". Paco was just that.

We kept on playing together in the Cuban jazz club and other recordings and events. When I did my recording for Gema Records in 1956, it was Paquito on piano who came in and started feeding us ideas together with Cachao, Jesus Caunedo, Los Papines, Luis Escalante. Incredible to watch - his coffee always on the piano, his cigarette with an Eversharp holder, the typical jazz pianist in a jazz bar!!

When we moved to the U.S. in the early 60s, Paco made his home in Miami, where he had great success recording with everyone there. He was the man - many CDs with his own group, and of course, the famous piano solo on Gloria Estefan's "Conga", that no one has come close to matching. 

He left many good friends like Nelson Padrón, Tany Gil and more. He touched everyone's heart. His love for his children Frankie Felix, and Jennifer was unmatched, and they were always in his conversations, and how proud he was of them. 

In the 80s, we did a project for Tany Gil that was called "WAL-PA-TA-CA" - this was Walfredo, Paquito, Tany, and Cachao...amazing group, which I will never forget. 

Paco had a great love for the sport of judo, which he learned from Cuban drummer Daniel Pérez, an alumnus of Luis Guardia, 8th Dan who teaches in Miami. His goal was always to throw me down with an harai-goshi movement. P.S. He never did. Paco had a green belt.

This incredible talent has passed on, but to all who knew him he will always be in our hearts. Rest in peace, Paco, we will never forget you.

WALFREDO DE LOS REYES

 

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Saturday, 29 September 2012, 09:03 PM

Pedrito Martínez at Yoshi's, Part 2

photos by Tom Ehrlich

This is such an amazing band! Here's Tom's galllery from Yoshi's - more photos coming from Monterey Jazz Festival soon.

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Saturday, 29 September 2012, 12:33 PM

Arturo Sandoval's Fall 2012 US Tour

First Stop: Viper Alley in Lincolnshire Illinois

Arturo Sandoval, who first came to our notice as a key figure in Cuba's legendary Irakere and as the leader of his own combo in Cuba, has since had an even more remarkable career in the United States (and worldwide) with 6 Grammy Awards (17 nominations), 6 Billboard awards, 1 Emmy and numerous recordings,  television appearances and film work to his credit (along with a long and successful teaching career).    He is about to start a multi-city US  tour schedule  with some of his best work yet (in this writer's opinion).  His most recent recordings, Dear Diz (Every Day I Think Of You)  and Tango Como Yo Te Siento currently have 5 Latin Grammy nominations between them (4 for Dear Diz and 1 for Tango).  We haven't picked up Tango yet, but we've been listening to Dear Diz for hours. 

The first tour date we have is at the Viper Alley in Lincolnshire, Illinois, on Friday, October 5 at 8pm.   The club is a little north of the city of Chicago,  about 45 minutes from Chicago's loop and a little more than an hour from downtown Milwaukee.   This venue just opened in 2011, and we saw Arturo do a great show there last year.  We look forward to this week's appearance as well.

Dear Diz was a special recording for Arturo because Dizzy Gillespie was a key figure in his life and career.  We spoke with Arturo by telephone on Tuesday while he was in Miami working on a new film soundtrack and about to leave for a few days in Lebanon.  Unfortunately, the quality of the telephone connection was too poor for us to share audio here, but we will mention that he is very excited about Viper Alley performance and the rest of the upcoming tour, and he will be bringing his regular touring band including Zane Musa, the phenomenal saxophonist who also shined through in Dear Diz.   He also mentioned during our conversation that the Viper Alley performance will include some selections from Dear Diz but probably not from Tango because that second project used some key personnel that won't be on this tour.

In lieu of our sharing the poor audio from our own conversation, we are going to direct you to an interview Arturo did with Guy Raz for NPR's All Things Considered in May 2012.  He talks about his introduction to Dizzy Gillespie and what followed from that first meeting.


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