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Indice - Table of contents

Lo Nuevo[hide]

Reportes: From The St... : Jazz Plaza ...
Fotos: Tom Ehrlich : Irakere 50th Annivers...
Fotos: Tom Ehrlich : Irakere
Resenas: Joey Altruda Presents: El Gran ...
Staff: Bill Tilford
Reportes: From The St... : Cubadisco 2...
Timbapedia: 09. Interviews -... : Carlos del Pino ...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Grupos: Tirso Duarte
Grupos: Tirso Duarte : Discography
Grupos: Charanga Habaner... : 8. El bla bla bla
Grupos: Pupy y los que S... : Tirso Duarte

Fotos Del Día [hide]

cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana
All
Cuba based rap duo, Zona Franka, blends traditional rhythms with the grit and swagger of hip-hop and rap vocal phrasings. Their clever shout choruses create instant tropical dance classics using their unique self-titled "changui con flow" style.
Authentic Latin Music Catalog for SYNC - TV & Film Music

The Roots of Timba, Pt I - 1940-El pirulero no vuelve más

Arsenio's Cuban Recordings and their Bass Tumbaos

These 26 transcriptions are arranged chronologically and chosen to show the full range of Arsenio's bass tumbao styles and to highlight some of the other magical qualities of these recordings.

notes: 0    rests: x

1940 Arsenio Rodríguez - El pirulero no vuelve más
0xx0 xx0x xx0x 0xxx
3-2 son clave
xxxx xxxx xxxx xx0x
(pickup)
xx00 xx0x xx00 xx0x
MIDI example
bassist:
Nilo Alfonso
source:
Oye como dice (out of print)

notes: This was Arsenio's very first recording under his own name, and the first Cuban recording to add conga, piano, and second trumpet to the son septeto, creating a new instrumentation that became known as the conjunto. (According to Emiliano Echeverría, Sonora Matancera began experimenting with two trumpets and piano as early as 1934). The full-blown Arsenio sound, however, is only partially realized at this point. The tempo is much faster than the later masterpieces. Lino Frias' modern, cross-rhythmic piano solo is perhaps the most forward-looking element of this track, but there's no dramatic bloque (or cierre) to connect the solo to the closing section, which itself doesn't have the dramatic layered horn and vocal parts that would characterize the "diablos" of Arsenio's later work.

The bass tumbao is a long way from the Arsenio's innovations of the mid-40s, but it's also significantly different from its pre-Arsenio antecedents. If El pirulero had been recorded by one of the early son sextetos the bass tumbao would have sounded like this:

0xx0 xx0x 0xx0 xx0x MIDI example

This rhythm, tresillo, is played on both sides of the clave. Arsenio's tumbao is also clave-neutral but it's harmonically different in a very important way. The underlined notes ( 0 ) show where the chords change, and as you can see and hear, they change right on the beat in a very European way. Now, if we remove the 3rd and 6th notes and replace them with the underlined 1st and 3rd notes, we arrive at the most common pre-timba bass tumbao - the "bombo-ponche" pattern. This idea of the bass anticipating each change in the harmony creates a wonderful and magical effect.

xxxx xxxx xxxx xx0x
xxx0 xx0x
xxx0 xx0x MIDI example

To arrive at the part played by Arsenio's bassist, we add a short extra note that corresponds to the slap of the conga.

xxxx xxxx xxxx xx0x
xx00 xx0x xx00 xx0x
MIDI example / audio example

This figure, with the downbeats added back in ...became very common, first in guaracha and later in cha-cha-chá, and is still thrown in as a spice during the cuerpos of many timba cuerpos and intros.

0x00 xx0x 0x00 xx0x MIDI example

1995 Klímax: Catarro chino
0x00 xx0x 0x00 xx0x
bass variation used several times
source: Klímax - Mira si te gusta
bassist:
Roberto Riverón

notes: Riverón begins with straight tresillo, plays the guaracha figure once at 0:05, and then repeats it several times in a row at 0:13 to accompany the "Chinese" passage.

lunes, 21 enero 2013, 05:54 am