SPARK MINI from Positive Grid. Battery-powered portable practice amp and Bluetooth® speaker with smart app integration and big, beautiful multi-dimensional sound. Take your tone anywhere!

New Stuff[hide]

Staff: Michelle White
Grupos: Pupy y los que S... : Discography 2
Grupos: Pupy y los que Son Son
Musicos: Richard Ortega López
Fotos: Tom Ehrlich : Con Tumbao 6-18-22
Reportes: From The St... : Cubadisco 2...
Grupos: Changüí de Gua... : Músicos - Members
Grupos: Changüí de Gua... : Videos
Fotos: Tom Ehrlich : Berkeley-2022
Fotos: Tom Ehrlich : Berkeley 2022
Grupos: Emilio Frias "El... : Discography
Grupos: Emilio Frias "El... : Músicos - Members
Giras: Emilio Frias "El Niño" y La Ve...
Grupos: NG La Banda : Músicos
Fotos: Tom Ehrlich : Interview with Carlos...

Photos of the Day [hide]

cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana
Cuba based rap duo, Zona Franka, blends traditional rhythms with the grit and swagger of hip-hop and rap vocal phrasings. Their clever shout choruses create instant tropical dance classics using their unique self-titled "changui con flow" style.
SPARK MINI de Positive Grid. Amplificador de práctica portátil alimentado por batería y altavoz Bluetooth® con integración de aplicación inteligente y sonido multidimensional grande y hermoso. ¡Lleva tu tono a cualquier parte!

SpanishEnglishOrquesta Aragón en Chicago 2014

Concert Review: Orquesta Aragón at the Mayne Stage, Chicago, Illinois
Friday, 18 April, 2014
Review and photos by Bill Tilford, All rights reserved

Although the concert was held on a Good Friday, the first show was completely sold out, and the second one was very well attended, including by many of the usual suspects in Chicago's Cuban-American community.  This was Aragón's first live appearance in Chicago in over a decade (although they had perfomed in other cities in the United States more recently), and Chicago was not going to miss the opportunity to see them. 

The set list included many of Aragón's classics such as Cachita, El Son del Pariente and Besame Mucho but also included some material that reflected their Cha-Onda period of the 1970s and some more modern material.   In keeping with how modern Cubans dance, songs like Cachita were at a somewhat faster tempo than you would hear in the very first recordings of the material, but this did not cause any of the swing to be lost. 

Aragon in a live performance is a different - and even better - experience than the recorded version. As is the case with so many types of recordings of dance bands in the United States, the recorded versions of Aragon's songs do not leave room for things like the wonderful, virtuosic violin intro to Besame Mucho that was heard in these shows or the extended percussion jams towards the end of the performance.  This is yet one more example of how much of the music people miss when they don't bother to attend live performances. 

You can see a gallery of photos from the concert here.  There are also two more recent recordings that will be reviewed in the near future. 

Bill Tilford - Sunday, 20 April 2014, 03:19 PM