Beyond Salsa Bass Vol.3 - Salsa, Songo & The Roots of Latin Jazz - Afro-Cuban & Latin Bass Instruction

Indice - Table of contents

Lo Nuevo[hide]

Giras: Klímax
Giras: Havana D'Primera
Giras: Maykel Blanco y Salsa Mayor
Grupos: Charanga Habaner... : Bloque Excerpts - Cha...
Grupos: Charanga Habaner... : Bloque Excerpts - Tre...
Grupos: Charanga Habaner... : Bloque Excerpts - Pa'...
Grupos: Charanga Habaner... : Bloques - Hey You Loc...
Grupos: Charanga Habaner... : Different Types of Bl...
Grupos: Charanga Habaner... : Bloque Excerpts - Me ...
Giras: Pupy y Los Que Son Son
Reportes: Report From Chicago
Reportes: Report From... : Nuestros Pr...
Fotos: Tom Ehrlich : 2014 san jose jazz fe...
Resenas: In Motion (Criss Cross) - Rele...
Reportes: Movimiento ... : 15th Latin ...

Fotos Del Día [hide]

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The Roots of Timba, Pt I - 1947-Soy el terror

1947 Arsenio Rodríguez - Soy el terror (tumbao 2)
xx0x 0xxx 0xx0 xx0x
2-3 son clave
0xxx xx0x xxxx x000
MIDI example
bassist:
Lázaro Prieto
source:
Emiliano Echeverría

notes: This unique tumbao skips melodically up a minor seventh and then down a perfect 4th. While the notes don't coincide rhythmically with the clave, this tumbao does in fact "mark" the clave. It seems counter-intuitive at first that the underlined downbeat would be associated with the 2-side rather than the 3-side, but, as we'll see in example after example, when the bass plays the downbeat on only one side, it's almost always the 2-side.

miércoles, 23 marzo 2011, 03:32 am