Indice - Table of contents
The Roots of Timba, Pt I 
- 1940-El pirulero no vuelve más
- 1943-Oye como dice
- 1945-Deuda
- 1945-No hay yaya sin Guayacán
- 1946-Cangrejo fue a estudiar
- 1946-Dame un cachito pa' huele
- 1946-La juventud amaliana
- 1947-Adivínalo
- 1947-Soy el terror
- 1948-Tocoloro
- 1948-Tintorero ya llegó
- 1948-Tumba palo cucuyé
- 1948-Yo no engaño a las nenas
- 1948-El Cerro tiene la llava
- 1948-Esa china tiene coimbre
- 1948-A Belén le toca ahora
- 1949-Pueblo nuevo se pasó
- 1949-Me boté de guaño
- 1949-Los sitios acere
- 1949-Dundunbanza
- 1950-El rincón caliente
- 1950-La juventud de Cayo Hueso
- 1950-El rumbón de Luyanó
- 1951-Me dijo que sí y le dije que no
- 1951-Caminante y laborí
- Epilogue - Guaraguí
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Fotos Del Día [hide]
The Roots of Timba, Pt I - 1948-Tintorero ya llegó
1948 Arsenio Rodríguez - Tintorera ya llegó - tumbao 2
0xx0 xx0x xx0x 0xxx 3-2 son clave
0xx0 0x0x xxx0 0000 MIDI example (tumbao 2 begins at piano solo)
bassist: Lázaro Prieto
source: Legendary Sessions
notes: The example is a precursor of the standard salsa bass tumbao with Prieto playing creative variations at the end of each phrase, but the most astounding aspects of this track are the arrangement and solo, both by pianist Lilí Martínez. It took Latin music almost 50 years to catch up with some of the things Lilí and Arsenio were doing in 1948, and with the exception of Klímax, even most of today's timba groups haven't done anything quite as harmonically challenging as Tintorera ya llegó's closing mambo (or diablo as Arsenio called it). Listen to the rising whole tone bassline and the descending chromatic horn line against the coro! Where did that come from?
The cuerpo is equally amazing, but in a much more accessible, hook-oriented way, using "slash chords" in the verse and a melodic 8th note bassline in the bridge -- harmonic devices that wouldn't come into common usage in popular music until the late 1960s.
Tintorera ya llegó - cuerpo - audio example -- MIDI example -- (3-2 son clave)
