Indice - Table of contents
Giras: Salvajes, Los (Los 4)
Giras: Havana D'Primera
Giras: Havana D'Primera... : Tour Archive 2013
Reportes: From The St... : Bis Music
Resenas: Rafael Rosa - Portrait
Reportes: Movimiento en Miami
Reportes: Report From Chicago
Reportes: Report From... : Nuestros Pr...
Resenas: Palo! Live (Rolling Pin Music) ...
Resenas: Renacer (Independent Release) R...
Resenas: Miami Boheme: An American Music...
Musicos: Ángel "Angelito" Ramírez
Musicos: Ángel "Angelito... : Fotos - Photos
Giras: Manolín "El Médico de la Sals...
Fotos Del Día [hide]
The Roots of Timba, Pt I - 1948-Tintorero ya llegó
1948 Arsenio Rodríguez - Tintorera ya llegó - tumbao 2
0xx0 xx0x xx0x 0xxx 3-2 son clave
0xx0 0x0x xxx0 0000 MIDI example (tumbao 2 begins at piano solo)
bassist: Lázaro Prieto
source: Legendary Sessions
notes: The example is a precursor of the standard salsa bass tumbao with Prieto playing creative variations at the end of each phrase, but the most astounding aspects of this track are the arrangement and solo, both by pianist Lilí Martínez. It took Latin music almost 50 years to catch up with some of the things Lilí and Arsenio were doing in 1948, and with the exception of Klímax, even most of today's timba groups haven't done anything quite as harmonically challenging as Tintorera ya llegó's closing mambo (or diablo as Arsenio called it). Listen to the rising whole tone bassline and the descending chromatic horn line against the coro! Where did that come from?
The cuerpo is equally amazing, but in a much more accessible, hook-oriented way, using "slash chords" in the verse and a melodic 8th note bassline in the bridge -- harmonic devices that wouldn't come into common usage in popular music until the late 1960s.