Indice - Table of contents
Giras: Revé, Orquesta
Grupos: Pupy y los que S... : Discography 2
Giras: Buena Fe
Reportes: Gotham Report
Grupos: Grupo Danson : Press photos
Grupos: Grupo Danson : Músicos - Members
Reportes: From The St... : EGREM in Cu...
Reportes: From The St... : Colibri in ...
Reportes: Report From... : Concerts, E...
Reportes: Report From Chicago
Reportes: From The Studios
Reportes: From The St... : 2013 Boleti...
Reportes: From The St... : 2014 Boleti...
Reportes: From The St... : Other Colib...
Photos of the Day [hide]
The Roots of Timba - Part II - The Conga Marchas of the 70s
Sabroseao con la Ritmo, the "missing link" in the development of Ritmo Oriental's arranging style, also appears to mark a shift in the style of their conguero, Juan Claro Bravo.
Throughout most of the track he plays variations of the generic conga tumbao:
(s=slap, o=tone. x=manoteo)
xxsx xxoo xxsx xxoo generic conga tumbao
But during the middle section of Sabroseao, Juan Claro plays a marcha, now commonly called bota, which was used extensively by Los Van Van and later become extremely important in the timba of Paulito FG, Manolito y su Trabuco and others.
By the time La Ritmo recorded again, Claro had all but abandoned the standard marcha for the flexible new guaguancó-based approach that he would use throughout the rest of his career. Here's a typical example from la Ritmo's Baile del azúcar:
El Yulo had already introduced a similar approach in Los Van Van's 1969 songo recordings, but Juan Claro tended to be stay closer to guaguancó while Yulo's relied more on creative melodic combinations of open tones.
For further study, The Tomás Cruz Conga Method, Volume II (co-authored by myself, Orlando Fiol and Mike Gerald) has a full chapter devoted to "songo" with written and video tutorials on a wide variety of Los Van Van and Ritmo Oriental marchas as well as some of Tomasito's own creations.
Meanwhile, Irakere's first conguero, Lázaro "Tato" Alfonso, had his own take on the re-rumbafication of the congas in Cuban pop. Irakere called their version batún-batá. Tato played the congas with one hand and a bell with the other while Oscar Valdés played an interlocking part on an Iyá. We'll have more on this a little later.
Getting Our Bearings
With the "perfect storm" upon us, let's try once again to figure out year it is! We know that Los Van Van Volume I came out in late 1969, and that the next LP by each our three groups didn't come out until 1974. All we have to go on are the EPA numbers of the undated singles and EPs.
6163 - LVV's first EP (1969)
6169 - LVV's second EP (1969)
6233 - Ritmo Oriental's EP Sabroseao con la Ritmo
6281 - LVV's single Aquí se enciende la candela
6332 - LVV's single Y que se sepa
6473 - LVV's single Chirrín chirrán (included on Vol. 2 - 1974)
6556 - LVV's single Llegué llegué (included on Vol. 3 - 1974)
(Chirrín chirrán appeared on Vol. III - Vol. II & III were both released in 1974 - therefore 6473 most likely came out in 1974 as well)
EPA-6233 - The Sabroseao EP - 1970? 1971?