Indice - Table of contents
Reportes: From The St... : Cubadisco 2...
Reportes: Report From Chicago
Fotos: Tom Ehrlich : cubanismo 2015
Giras: Havana D'Primera
Resenas: Ruy López-Nussa presenta La Ac...
Giras: Charanga Habanera
Resenas: Sólo se vive una vez - (Planet...
Giras: Emilio Frias "El Niño" y La Ve...
Fotos: Tom Ehrlich : June, 2015 Sf & SC
Giras: Van Van, Los
Giras: Laritza Bacallao
Reportes: From The St... : Scenes from...
Giras: Maykel Blanco y Salsa Mayor
Timbapedia: 09. Interviews -... : Meet Ángel Batu...
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Study - The 4 Great Clave Debates
Clave and clave changes are among the most misunderstood and heatedly debated topics in all of music. In this article we'll try to sort out the silly semantic misunderstanding and also discuss some of the truly fascinating issue in this most mysterious of musical topics. Also see our more extensive article "Clave Changes the Music of Charanga Habanera", the appendices of Beyond Salsa Piano, Vols. 1 & 2, and the appendix of Beyond Salsa Percussion, Vol. 3.
Among many other meanings, the term "clave" refers to a 5-note rhythm pattern which is either played or implied in many types of Latin music. The five notes can be spaced in at least a half a dozen ways, but the whole pattern always lasts exactly four beats, although it’s frequently written in the space of 8 beats, leading to the first Great Clave Debate (click "next" or use the Table of Contents to navigate).