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Reportes: From The St... : Cubadisco 2...
Staff: Bill Tilford
Reportes: From The St... : Jazz Plaza ...
Fotos: Tom Ehrlich : Irakere 50th Annivers...
Fotos: Tom Ehrlich : Irakere
Resenas: Joey Altruda Presents: El Gran ...
Timbapedia: 09. Interviews -... : Carlos del Pino ...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Grupos: Tirso Duarte
Grupos: Tirso Duarte : Discography
Grupos: Charanga Habaner... : 8. El bla bla bla
Grupos: Pupy y los que S... : Tirso Duarte

Fotos Del Día [hide]

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Cuba based rap duo, Zona Franka, blends traditional rhythms with the grit and swagger of hip-hop and rap vocal phrasings. Their clever shout choruses create instant tropical dance classics using their unique self-titled "changui con flow" style.
Authentic Latin Music Catalog for SYNC - TV & Film Music

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lunes, 06 abril 2015, 04:32 am

Pupy y Los Que Son Son

In the Beginning ... Summer, 2001 - Pt. 1

Here's an intimate glimpse of one of the very first performances of the first great timba band of the 21st Century - Pupy Pedroso y Los Que Son Son - with the devastating front line of Tirso Duarte, Pepito Gómez and Mandy Cantero. Visitors to Havana will recognize the venue as the "Piano Bar", a converted house down the road from the ENA conservatory where students and visitors hang out. Changuito played regularly with the band at this point and various luminaries sit in - Mayito & Robertón of Van Van, Don Pancho Terry, etc. Part 1 highlights include a Changuito solo and Mayito sitting in on Seis semanas.

Click here for the history of Pupy Pedroso, and here for Tirso Duarte.

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domingo, 05 abril 2015, 05:00 am

Paulito in New York - December, 1998

More historic footage from the final tour of one of Cuba's all-time greatest bands - the 1998 Paulito FG y su Élite. This video is everything that this one (http://goo.gl/DCsSCl) is not: it's not complete, has barely any songs that go all the way from beginning to end and doesn't stay on the tripod. BUT - it has better audio quality, substantially better video quality and some pretty amazing camera work. My suggestion is to study the Miami concert until you've got the gear system and then enjoy this one for the closeups and detail. This is Set 1 - Set 2 is here: http://youtu.be/v-gTbbQN9lQ

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viernes, 03 abril 2015, 08:21 pm

Paulito in Miami - December, 1998

The audio and video quality is not quite ready for IMAX, but this is a truly historic document - the final concert of the final tour of one of the greatest bands ever assembled. After this December 1998 show at Café Cristal in Miami, conguero Tomasito Cruz and future Tiempo Libre vocalist El Kid Díaz left the group to stay in Miami, and after returning to Havana, bassist Joel Domínguez, drummer Yoel Páez and pianist Yaniel "El Majá" Matos left to join the 1999 incarnation of Issac Delgado's band (the band that played the Y2K Concert posted a few months back). The rest of the band includes El Bola Betancourt on trumpet, Carlos Pérez on trombone Juan Ceruto on sax and arrangements. and of course three future members of Havana d'Primera: Alexander Abreu, Rogelio Nápoles and Yosvel Bernal. When we discuss HdP's "resumen de los 90" mission statement - rekindling the brilliance of the timba era - there's no doubt that the PFG 98 band was their overarching inspiration. You can hear all three of these guys solo on Estamos en escena (use the hyperlinks in the video description for quick navigation).

What sets this band aside from all others is their unique approach to timba gears - Paulito quite literally "calls" each gear change with a sophisticated set of hand signals - explained in this youtube:

In 1997, when the classic album Con la conciencia tranquila was recorded (the source for most of the songs from this show), the rhythm section was the same except for Sergio Noroña on piano, but at that point they had two main timba gears - presión and bomba. In 1998 they added a third "masacote"-style timba gear dubbed (at least by Tomasito) "songo con efectos". They played this more and more over the course of 1998 and you can hear plenty of it in the Noche de Cristal audio concert posted a few months ago. That was about 3 months before this show - the last stop on the historic 1998 US tour. I will soon post another video from a few days before this one - at SOBs - it doesn't have complete songs but does have vastly superior video quality. This beauty of this particular video is that most of the songs are complete and there's very little fancy camera work so you can see Paulito and most of the rhythm section all of the time and you can watch as Paulito dishes out his hand signals and the band responds brilliantly. There's also a long version of Estamos en escena in which almost everyone gets a solo. Last but not least is the never-recorded masterpiece, Laura, and the original version of La última bala, later recorded as Una vez más on the 2000 album of the same name.

This is the same band that played this concert in Havana a few months earlier: 

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jueves, 02 abril 2015, 02:34 am

New Live Videos In Honor of

International Timba Month

... another of the greatest timba concerts ever preserved: Issac Delgado at Casa Cultura on Valentine's Day, 1997, featuring Melón Lewis, Alain Pérez, Daria Delgado, Georvis Pico, Joaquín Betancourt, Andrés Cuayo and many more. Some of the individual songs have been on youtube for a while but now we have the full concert in very high quality - dubbed directly from Mike Croy's original digital camera tape. 

Coming later this week are two epic Paulito FG concerts, including the final show before his stupendously great 1998 band broke up. If you want to get in the mood for this, here's a youtube segment that will teach you how to spot Paulito's inimitable hand signal method for changing gears spontaneously.

PFG is truly the Steph Curry of timba. And these concerts have never been on youtube in any form. Entonces ... prepárense!

Also, in case you missed it, we've also recently added the Charanga Habanera Suspension Concert Restoration Project. The idea here is to find all the various audio and video files of this historic 1997 concert and put everything in order with the best quality media in each case. The cool thing here is that the concert went on after the censors pulled the plug, so we have audio of several additional songs, including two great ones that Charanga Habanera never recorded in the studio. If you're not up to speed on the infamous suspension you can catch up on your charanga chisme here and here.

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