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Cuba based rap duo, Zona Franka, blends traditional rhythms with the grit and swagger of hip-hop and rap vocal phrasings. Their clever shout choruses create instant tropical dance classics using their unique self-titled "changui con flow" style.
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Saturday, 09 August 2014, 09:08 AM

SJ JAZZ: DAY 2

Calixto-Chappottín-Ft. Apache

Last night was the Bootsy & Bosch show. While you won't find his records in the Latin section, the most natural way to describe a lot of what Bootsy Collins does is with timba terminology: tumbaos, efectos and gear changes. This was no descarga however - the show was as tight and choreographed as Charanga Habanera and had as much of the same type of rhythmic fireworks as ... well ... the old Charanga Habanera. They hit several epic funk groove peaks over the course of a long show on the main stage that was so good that it forced me to miss Pacific Mambo. Jimmy Bosch was a study in contrasts. Where Bootsy had two bassists and a whole troupe of dancers, Jimmy used precisely one person (himself) to cover the entire coro and horn sections as his sextet cycled through a master class on salsa dura. The one-man coro section was a bit odd, but it resulted in some very interesting moments where Jimmy kept changing the coro, forcing his quick-witted young sonero to pull out his best improvising chops.

All in all, a perfect start to a perfect festival that will climax tomorrow with no less that THREE separate performances by The Pedrito Martínez Group. Today, Saturday, We have Calixto Oviedo, Chappottín twice, Fort Apache twice, Wayne Wallace, and all of the Bay Area's best bands: QBA, Avance, Pasión Habanera (aka Pellejo Seco) etc. [Kevin Moore]



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