Reportes: Report From... : Concerts, E...
Giras: Charanga Habanera
Giras: Buena Fe
Grupos: Calle Real : Entrevistas
Giras: Van Van, Los
Fotos: Tom Ehrlich : 8-2015 van van
Reportes: From The St... : Proyecto So...
Giras: Maykel Blanco y Salsa Mayor
Reportes: Report From... : Nuestros Pr...
Reportes: Report From Chicago
Reportes: From The St... : Museo Nacio...
Giras: Pablo Milanes
Reportes: From The St... : Cubadisco 2...
Reportes: Timba al Sur del Mundo
Fotos Del Día [hide]
PRIMERA PLANA - FRONT PAGE
Los Van Van
The Music - The Sound - The Photos
Las Vegas Tonight - Sunday
Los Van Van gave us - as always - a powerhouse groove, tremendous charisma, and an endless repertoire of timeless hits from their 45 years at the top of the Cuban charts. The three young additions - Mandy Cantero on vocals, Pancho Chibás on piano and Yoel Cuesta on congas - were all extremely exciting and made it clear that even without Juan Formell, Van Van is still growing and improving, and in no danger of becoming a heritage act. I would dearly love to hear these new members in a better acoustic setting. The band played a long, powerful set - plus encore - to thunderous applause. That it occurred hours after the US flag was raised in Havana for the first time in 60 years added greatly to the ambience. There were at least 2000 in attendance - no small feat. It's one thing to get 500 people four nights in a row, because the core fans are likely going to attend every show - but 2000 separate individuals at one show was a new high for the Bay Area. Overall then, it was a great success, marred only by shockingly bad sound (see below for more on this). Hopefully Vegas and the other upcoming tour dates will provide sound to approach the quality of the music.
THE REST OF THE TOUR
As no other suitable venue was available, the concert was scheduled in a large hall designed for classical music. Sound reinforcement for a timba concert is a daunting task. I've only heard what I would call "perfect" sound at three venues: Kuumbwa Jazz Center, Yoshi's Oakland, and the main SFJAZZ facility, the latter often going beyond "perfect" and venturing into the realm of "magical". I had high hopes about this show, because Davies Symphony Hall would appear to have similar characteristics to SFJAZZ's Robert Miner Auditorium - high ceiling, multiple balconies, and large amounts of obscenely expensive state-of-the-art architectural features designed to create world-class sound. I went in expecting to hear timba with Deutsch Grammophone clarity, but sadly, the sound was really, really bad. It wasn't the worst sound I've ever heard - it had no distortion and wasn't oppressively loud or grating to the ears. Thus, it wasn't in the same universe of sonic pain that we experienced, for example, at the Oakland appearance of Gente d'Zona, or at Café Cócomo on a regular basis. The problem at Davies was that only a thin slice of the frequency range was clear. The güiro was fantastic, and I thought the congas were as well, although I talked to some congueros who didn't agree. Other than that, everything else was pure mud - not distorted - not too loud - just mud - hard enough to hear the pitches, much less the timbres. When I heard Yeni Valdés sing at Yoshi's SF in 2010, her huge, luxuriously resonant voice sent chills down my spine and brought tears to my eyes. At Davies, I could barely make out what she was singing - it was that muddy. And I was dying to hear the details of Mandy Cantero's singing, especially on what looked like an epic and very personalized version of Soy todo. Alas. Hopefully they'll be back soon at a better venue - ideally SFJAZZ's Robert Miner Auditorium on Franklin Street.
A Visit to the Studio of Manolito Simonet
Also: The Caravan of Cuban Artists in Chicago Continues
Una visita al estudio de Manolito Simonet
También: la caravana de artistas cubanos en Chicago continua
ENGLISH: In May, Manolito Simonet was gracious enough to permit Bill TIlford to visit him and record an interview (in Spanish) at his home/studio in Vibora Park. They conversed about a variety of topics including a new recording that you haven't heard yet (No Puedo Parar), upcoming tours and much more.
For more in English (photos, audio, etc), click here.
Manolito y su Trabuco are including a tour of the United States in their plans this year, and we will be sharing a lot more about him and the group in the weeks to come.
ESPAÑOL: En mayo, Manolito Simonet tuvo la amabilidad para permitir a Bill Tilford que visite a él y grabe una entrevista (en español) en su casa / estudio en Víbora Park. Ellos conversaron acerca de una variedad de temas, incluyendo una nueva grabación que ustedes no han oído todavía (No Puedo Parar), próximas giras y mucho más.
Para más en español (fotos, audio, etc.), haga clic aquí.
Manolito y su Trabuco está incluyendo una gira por los Estados Unidos en sus planes de este año, y vamos a compartir mucho más sobre él y el grupo en las semanas venideras
ENGLISH: First, Los Van Van; then, Buena Vista Social Club, and now (Sunday) Pedrito Calvo and Miguelito Cuni Jr. These two are at Festival Cubano. For more information, visit their website.
ESPAÑOL: Primero, Los Van Van; entonces, Buena Vista Social Club, y ahora (domingo), Pedrito Calvo y Miguelito Cuni Jr. Los dos estarán en el Festival Cubano. Para más, visite su sitio web.
LOS VAN VAN
LA Tonight w/Changuito & Pupy
SF Friday at Davies Hall
At Last: Los Van Van in Chicago
Por Fin: Los Van Van en Chicago
ENGLISH: After an absence worthy of Homer, Los Van Van finally returned to Chicago.
ESPAÑOL: Después de una ausencia digna de Homero, Los Van Van, finalmente, regresó a Chicago.
More here / Mas aquí