Late 1998 - location unknown
piano: Yaniel Matos "El Majá"

When Melón González moved to Spain, Pepe Rivero returned to Issac to fill the piano spot and Paulito replaced him with Yaniel Matos "El Majá". Majá had been playing (and recording) with Ángel Bonne. Ironically, Majá later joined Issac to replace Pepe when the latter followed Alain Pérez to Madrid. It was Majá, now in Brazil, who invented, among others, the extraordinary piano tumbao on Issac's Grammy-nominated song "La fórmula", which was arranged by Joel Domínguez, the bass player on all these recordings.

MONTUNO PREVIEW
8 - piano tumbao
4 - bass slides, but not really bomba
4 - marcha

CUERPO
4 - horn intro
8 - A section 1
8 - A section 2
8 - B section
2 - puente (instrumental bridge)

MONTUNO
4 - piano tumbao
coro 1: yo sé hay que dar, para tener...
16 - marcha
mambo 1:
16 - marcha de mambo
coro 2: San Dame San Dame
8 - pedal
8 - bomba
mambo 1 reprise:
8 - marcha de mambo
8 - songo con efectos
coro 3: ¿dónde está lo mío?
8 - pedal
8 - bomba
mambo 1 reprise:
8 - marcha de mambo
breakdown 1: scat-singing
8 - breakdown
4 - audience sing-along
coro 4: ¿qué te pasa?, te veo lento, éntrame con eso...
4 - marcha
8 - bomba
mambo 2:
8 - marcha de mambo
8 - songo con efectos
6 - bomba
coro 5: por aquí, por aquí
8 - pedal
mambo 3:
8 - bomba
8 - marcha de mambo
breakdown 2: scat-singing
12 - breakdown
4 - audience sing-along
coro 6: dando y dando, dando y dando
8 - marcha
8 - songo con efectos
mambo 4:
8 - bomba
6 - marcha de mambo
coda: 2 bars