Taiwan Carol is a worldwide leader in microphones, wireless audio, public address systems and mobile audio technology. Constantly striving to improve your audio experience, Taiwan Carol employs the finest sound technology along with their 134 patents and

New Stuff[hide]

Staff: Bill Tilford
Reportes: From The St... : Jazz Plaza ...
Fotos: Tom Ehrlich : Irakere 50th Annivers...
Fotos: Tom Ehrlich : Irakere
Resenas: Joey Altruda Presents: El Gran ...
Reportes: From The St... : Cubadisco 2...
Timbapedia: 09. Interviews -... : Carlos del Pino ...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Grupos: Tirso Duarte
Grupos: Tirso Duarte : Discography
Grupos: Charanga Habaner... : 8. El bla bla bla
Grupos: Pupy y los que S... : Tirso Duarte

Photos of the Day [hide]

cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana
All
Cuba based rap duo, Zona Franka, blends traditional rhythms with the grit and swagger of hip-hop and rap vocal phrasings. Their clever shout choruses create instant tropical dance classics using their unique self-titled "changui con flow" style.
Authentic Latin Music Catalog for SYNC - TV & Film Music

SpanishEnglishMama Ina - (Unicornio) - Released 2018

CD Review: Mama Ina by Gastón Joya
Unicornio 2018
Review by Bill Tilford, all rights reserved

Bassist Gastón Joya has been an important presence in Cuba's Jazz scene for some years now, frequently performing with members of the López-Nussa family (as these lines are being typed, he is touring internationally as part of Harold López-Nussa's trio), the Afro-Cuban Messengers (Chucho Valdés)  as well as several other projects including the occasional performance under his own name with ensembles of different sizes.  Mama Ina, which is dedicated to his grandmother, is his first commercially-released solo album (a prior album, titled Gastón Joya, has not yet been released). Many of the selections are Gaston's own compositions.  The album won the Jazz Soloist category in Cubadisco 2018. 

Although the name Joya does not translate into the word "joy" in English, that word describes his live performances perfectly - when he is deep into a performance, he almost merges with his instrument without losing his strong connection with the other musicians.  This album captures much of that feeling, and the musical emphasis is on the songs rather than pyrotechnics per se.  One of Gaston's strengths as a soloist is that he makes the listener take the bass seriously as a melodic as well as a rhythmic instrument. Although he uses both acoustic and electric bass in the album, it is the passages with the acoustic bass that are the most sublime.   The pianist in the trio, Adrián Estévez, is given plenty of room to express himself, and young drummer Marcos Morales, himself a recent JoJazz winner for his own projects, is very effective as an accompanist here.   

Mama Ina is a very lyrical album (we are, figuratively speaking, at Grandma's house, after all, but what a lively grandma she is!),  and it is an excellent reminder that in the right hands, the bass can be whatever the bassist wants it to be.  

Tracks:

1. Mama Ina 
2. No te empeñes más
3. El día que me quieras
4. La gitana
5. Ask me
6. El impori
7. Venga la esperanza
8.  Paola y Lila
9. La sitiera 

Role - InstrumentName
Acoustic & Electric Bass, Voice, Director Gastón Joya
Piano Adrián Estévez
Drums  Marcos Morales
Guest Artists  Nam Sam Fong (guitar 1, 5, 7); Alfredo Rodríguez (piano 3); Julito Padrón (trumpet 8)
Musical Production, Arrangements Gastón Joya
Recording Engineer Manuel Bass
Mix Gastón Joya & Manuel Bass
Mastering Daelsis
Executive Production Camila López
Graphic Design Marla Cruz
Studio 

 

Abdala, La Habana, Cuba

Bill Tilford - Friday, 20 September 2019, 04:44 AM