IT'S ALIVE!!! Beyond Salsa Bass Volume 3 is a historical behemoth of a Latin Bass Book! Doubling as a history and music appreciation course, at 442 pages, Beyond Salsa Bass Vol.3 is by far the longest of the 26 Beyond Salsa books and the first to extensively cover New York and Puerto Rican salsa and pre-salsa as well as Latin jazz. Its audio product (separate purchase) has 616 tracks (a generous selection of 60 free audio tracks is also available by download). The book includes a bass tumbao for every piano tumbao in each of Volumes 3 and 4 of the Beyond Salsa Piano series, but it also includes hundreds of bass tumbaos from and historical analyses of areas of Latin music not covered in the piano series: Puerto Rico, New York, Latin Jazz, the Cuban descargas and additional aspects of the Cuban music of 1959-1989, i.e., from the Cuban Revolution to the Fall of the Berlin Wall. 

CLICK HERE for a FREE pdf sample of Beyond Salsa Bass Volume 3

CLICK HERE to download 60 FREE Tracks from Beyond Salsa Bass Volume 3

In other news about the Beyond Salsa Series, in addition to Bass V3, the next book is almost done as well - Beyond Salsa Piano, Vol. 12 - Pupy Pedroso, Pt. 3 - Los Van Van in the 1990s. The book is equal parts history and piano - covers Van Van's amazing transition into the timba era, arguably van van's greatest period, which includes the top two songs in the timba.com readers poll - Soy todo and Te pone la cabeza mala, and the top album, Llegó Van Van. 

It was during this period that Samuel Formell replaced Changuito and that Ángel Bonne, Mayito Rivera and Robertón Hernández all joined. The seven (7) albums covered are Crónicas, Aquí el que baila gana, Azúcar, Lo último en vivo, Ay Dios ampárame, Te pone la cabeza mala and Llegó Van Van. The book includes some of pupy's most famous tumbaos, including Qué tiene Van Van, El negro está cocinando, Disco Azúcar, Que le den candela, Tranquilo Mota etc. It also includes piano and bass parts for each tumbao PLUS awesome photos by Tom Ehrlich, Patrick Bonnard and others. [Mike Lazarus]

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The San José Jazz Festival has by far its best lineup ever this year, with Pedrito Martínez, Conjunto Chappottín, Calixto Oviedo, Jerry González and the Fort Apache Band, Jimmy Bosch, Wayne Wallace, Pacific Mambo Orchestra, Pasión Habanera, Jesús Díaz y su QBA ... it goes on and on.

Meanwhile, trumpeter/musical director Josiel Pérez and promoter Peggy Jo Oliva have created a new group called AC Jazz Project that - its name notwithstanding - sounds like very hot timba to me. Josiel and bassist Yosmel Montejo played the US several times with Maraca y Otra Visión, and the drummer is none other than the great Calixto Oviedo, of NG La Banda and Beyond Salsa fame (all right - mostly of NG La Banda fame ...).They're already booked for Yoshi's on August 30. The band also features Fermin Sifontes, Joel Núñez, Santiago Santiuste, lead vocalist Julio César Bouza Hernández and Christian Arturo Gutiérrez .

Also, Havana d'Primera is confirmed for Yoshi's SF on Aug 1 and 2. We'll have much more on this soon. Also, Roberto Roena has put together a group to replace Pupy y Los Que Son Son at Stern Grove on July 20. [Kevin Moore]

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Several months ago, we did a few pieces about Dayramir González, the leader of the phenomenal Afro Cuban Jazz project Habana enTRANCE, which won a Cubadisco for their album of the same name..  Dayramir went on to study at Berklee College of Music and won their Wayne Shorter award for most outstanding Jazz composer in 2013. (You can see more of his resume as of 2013 here.)   He is now resuming his performing career in earnest and has teamed up with Edrey aka Ogguere, also a Cubadisco winner, Jazz poet and a key member of Gilles Peterson's Havana Cultura, to lead The Afro Cuban Soul Rebels, a 9-piece ensemble that is about to release its first single (also called Afro Cuban Soul Rebels)

This writer has had his ears peeled for new things by Dayramir since first hearing Habana enTRANCE (which came out before he started writing reviews here.)   Havana Cultura, Edrey aka Ogguere's associates, is also very impressive.  The style of this new project will be different, but we think you'll want to check this out:

Key Links:
Concert info: SOBs, Thursday, July 10   The Afro Cuban Soul Rebels Facebook Page
Ogguere's website

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CD Review: Salsanimal by Marlow Rosado & La Riqueña (Big Label Records July 2014)
Review by Bill Tilford, All rights reserved

Download the SALSANIMAL Intro (Track #1) here
Descarga gratis del primer tema Intro SALSANIMAL aquí

This newest release by Marlow Rosado & La Riqueña, whose last album Retro won the GRAMMY for Best Tropical Latin Album in 2012, is a Salsa Dura album with an interesting blend of Cuban, New York and Puerto Rican Styles. As was the case with Retro, there is an impressive supporting cast of guest artists, and this album branches out a little more stylistically.  There are a few touches of Timba piano phrasing and Cuban Descarga in the opening track, Intro Salsanimal. Asi Son brings in Cuban Sonero and Timba legend Mayito Rivera for a turn at Salsa Dura.  Quiero Que Me Quieras has a very Puerto Rican (but uptempo) vibe. No Me Interesas has a New York Salsa Dura feel with an unusual (and pretty cool) brass section arrangement.  Cataño opens with some street sounds and is an homage to the municipality that is known as "La Antesala de la Capital", San Juan, Puerto Rico.  Como Te Extraño Nena is also a hard-driving Salsa Dura piece.  Yo Se Que Un Día is a soulful, richly orchestrated bolero/guajira.  Puertas Del Jardin, which give a shout-out to Cartagena and Medellin, incorporates some Cumbia passages in one of the more laid-back songs in the album. Todo Se Lo Llevo is one of two Salsa Romantica tracks in the album. 88 Mil Teclas brings in Larry Harlow and Richie Ray for a piano duel.  It would be a lot of fun to see this live. The album cools down at the end with the tasty Todo A Tus Pies. The one English-language song in the albumn is Ok, Here Is The Truth, which features Pop / R & B star Jon Secada in a very heartfelt Salsa Romantica number (the lyrics are heavier than you typically hear in this style, but I won't include any spoilers here). 

Salsanimal is aimed squarely at dancers - the songs are all dance-floor length, and outside of 88 Mil Teclas, the focus is on section work and vocals rather than instrumental solos.  BUT, the arrangements and section work are excellent and at times innovative - Marlow's extensive musical resume is put to very good use here, and this won't bore musicians either.  Highly recommended for Salsa fans.  

Tracks:

Intro Salsanimal
Quiero Que Me Quieras (vocal: Javier Merino)
No Me Interesas (Vocal: Jose Arroyo)
Asi Son (Featuring Mayito Rivera)
Cataño (Featuring herman Olivera)
Yo Se Que Un Dia (Vocal: Jose Arroyo)
Como Te Extraño Nena (Featuring Alex Matos)
Puertas Del Jardin (Featuring El Checo Acosta)
Todo Se Lo Llevo (Featuring Domingo Quiñones)
OK Here Is The Truth (Featuring John Secada)
88mil Teclas (Ffeaturing Larry Harlow & Richie Ray)
(Bonus Track) Todo A Tus Pies (Featuring De La Torre)

Personnel in Salsanimal

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