Indice - Table of contents
Lo Nuevo[hide]
Resenas: Vacilón Santiaguero (Circle 9 ...
Grupos: Pupy y los que S... : Discography - 1995- F...
Reportes: From The St... : Cubadisco 2...
Staff: Bill Tilford
Reportes: From The St... : Jazz Plaza ...
Fotos: Tom Ehrlich : Irakere 50th Annivers...
Fotos: Tom Ehrlich : Irakere
Resenas: Joey Altruda Presents: El Gran ...
Timbapedia: 09. Interviews -... : Carlos del Pino ...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Grupos: Tirso Duarte
Fotos Del Día [hide]
Kevin Moore - Beyond Salsa Piano - Vol. 2 Examples
Examples from Beyond Salsa Piano, Volume 2
Chapter 1 is devoted to the seminal tumbaos of Jesús and Cachao López of Arcaño y sus Maravillas.
Chapter 1 also introduces the rhythmic underpinnings for the tumbaos which would later be used for chachachá. While "invented" by Enrique Jorrín, many of the rhythmic elements originated with Arcaño's group.
Chapter 2 pauses in the historical chronology to tackle the ever-present issue of clave, including a long series of clave exercises.
Chapter 3 studies the tumbaos of the Cuban big band or "jazzband" genre: Beny Moré, Pérez Prado, Orquesta Riverside, etc.
Chapter 4 studies the tumbaos of the charanga genre: Aragón, Fajardo, Sensación, Revé, etc. It also pays special attention to the idea of layering tumbaos, the foundation for all Latin music arranging.
Chapter 5 studies the tumbaos of the conjuntos which took up the slack when Arsenio moved to New York: Modelo, Chappotín, Sonora Matancera, etc.
Chapter 6 returns to the technical side of things, showing how piano tumbaos relate to the clave.