SPARK MINI de Positive Grid. Amplificador de práctica portátil alimentado por batería y altavoz Bluetooth® con integración de aplicación inteligente y sonido multidimensional grande y hermoso. ¡Lleva tu tono a cualquier parte!

Indice - Table of contents

New Stuff[hide]

Reportes: From The St... : Jazz Plaza ...
Fotos: Tom Ehrlich : Irakere 50th Annivers...
Fotos: Tom Ehrlich : Irakere
Resenas: Joey Altruda Presents: El Gran ...
Staff: Bill Tilford
Reportes: From The St... : Cubadisco 2...
Timbapedia: 09. Interviews -... : Carlos del Pino ...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Fotos: Tom Ehrlich : 2023 Monterey Jazz Fe...
Grupos: Tirso Duarte
Grupos: Tirso Duarte : Discography
Grupos: Charanga Habaner... : 8. El bla bla bla
Grupos: Pupy y los que S... : Tirso Duarte

Photos of the Day [hide]

cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana
All
Cuba based rap duo, Zona Franka, blends traditional rhythms with the grit and swagger of hip-hop and rap vocal phrasings. Their clever shout choruses create instant tropical dance classics using their unique self-titled "changui con flow" style.
Authentic Latin Music Catalog for SYNC - TV & Film Music

The Roots of Timba - Part II -     Yo bailo de todo - The Cuerpo

audio

   MIDI con efecto

   MIDI - slow - without efecto

cuban music, musica cubana

transcription edited by Rob Holland

In 1975, this may have been the most sophisticated and sublime Cuban popular music bass performance ever recorded, and it was seldom if ever equalled by anyone other than Perera himself until the arrival of Feliciano Arango, Pedro Pablo and Alain Pérez in the 90s.

There are three audio clips: the actual recording, a MIDI transcription, at the original tempo, with a tempo map to approximate the two instances of con efecto, and a second MIDI excerpt which plays the transcription as written, in slow motion, without efecto.

Humberto deftly switches from accompanist to soloist and back as he weaves his way through the bloques and several tumbao ideas, playing each one with multiple variations.

Note the "clave license clave change" at bar 16 - if you play clave from the beginning, you'll have to play the 3-side twice in a row to stay in sync with the band.

Tuesday, 22 March 2011, 07:32 PM