Bueno was one of two winners of the Composers Prize in Cubadisco 2013 and also won the Canción Contemporánea and Videoclip categories. Includes several collaborations with other prominent Cuban artists. This is a popular music album, but several promient Cuban Jazz musicians appear in the roster for the project. .

Reflections, a new release by Chuchito Valdés, represents his most mature work to date as a composer and joins the ranks of some of the best recordings that have been emerging during the current Renaissance of Cuban Jazz, although this should be taken seriously as a Jazz recording with or without labels like "Cuban" or "Latin" attached.

This 2014 release employs all the tried and true formulas that have made New York salsa great since the beginning, proving once again that one can’t go wrong with concise arrangements and A-list musicians. Each part fits together like a well-designed piece of architecture with every detail accounted for and nothing left out of place.

Vibraphonist/multi-instrumentalist Rolando Morales-Matos is the embodiment of what people would picture of a consummate professional musician. His eponymous solo effort, featuring his own ensemble Forward, is a top notch Latin jazz album with intriguing compositions/arrangements and fiery improvisations by Matos and his superb roster of musicians.

Former NG La Banda vocalist Gerardo Contino brings his band of A-list musicians into the studio to create his first solo album. The result is an explosive Timba paragon with state of the art instrumental work throughout.

Salsanimal is GRAMMY-winner Marlow Rosado's newest Salsa album. Once again, there is a distinguished supporting cast (including Mayito Rivera on one track and Larry Harlow & Richie Ray on another). Stands above so much of the industrial Salsa product that is coming out this days.

This recording by Tico's Mambo Drama captures the feel of both the New York Mambo craze and Cachao's early descarga period in the late 50s-early 60s. A nice mix of retro song styles.

Pentajazz is an intriguing independent release by one of the best Jazz violinists in Cuba today, Julio Valdés Fuentes. It includes a few of the heavy hitters in the current Jazz scene in La Habana.

This imprerssive three-volume set of field recordings of tonadas, a form of campesino music, includes a video documentary and extensive musicological notes. It was awarded the Cubadisco for Folkloric Campesino Music in 2014 and was also nominated in multiple other categories.

An exciting 2-CD release by Septeto Santiaguero, José Alberto "El Canario" and an impressive supporting cast - practically an extravaganza of Son. The final result is quite distinctive while respecting the traditions and remaining authentic.
WINNER OF THE CUBADISCO 2015 Award for Traditional Son.

In Motion, the third album by New Cuban Express, continues the forward momentum of NCX with the addition of a trumpet to half of the songs, a more acoustic feel, and all of the excitement of the first two recordings.

Rising percussionist Daniel Peña's debut solo album, Eleven, a Latin Jazz project, includes cameo appearances from the likes of Tito Puente Jr. Richie Ray and Marlow Rosado along with very well-crafted arrangements and considerable drive.

Some of the best elements of the Cuban dance music of the 70s return with a vengeance, but with new compositions and fresh blood. The album's title is quite accurate: it is VERY funky, Cuban, and relentless.

If one had to pick one album that captures the diversity of Latin Jazz in a way that will make you want to explore all of it, this would be it. A singular achievement.

"Llegó la Verdad", the debut album by Elio Frias "El Niño" y La Verdad has proved their ability to deliver hit after hit and solidified their position as one of the top young bands in Havana.

Its founder, Juan Formell, only performs (posthumously) on one track, but a resurgent Los Van Van captures the best of his spirit and comes roaring back in this new release on EGREM that is one of their best albums from any decade.

ilé brings Omar Sosa closer to his Afro Cuban roots including guest appearances by Pedrito Martínez, Yosvany Terry and "Don Pancho" Terry, but there is also a heady mix of Flamenco elements, Jazz and West African ingredients.

A new and eclectic independent recording by Julio Valdés, one of Cuba's most interesting Jazz and Fusion violinists. This will especially appeal to fans of groups like Grupo Afrocuba and Weather Report.

A hard-hitting new release by NG La Banda. Excellent arrangements, funny when it wants to be, Los Metales del Terror are in action, some solid Timba with a dash of Cuban Jazz, Conga/Merengue, Rumba and Bachata in the album.

Another exciting Changüi released by Revé. An aplanadora is a steamroller, and this is one, in a good way, for good dancers. Drink plenty of fluids before starting to listen to this.

This eclectic album, like the body of Moncada's work, incorporates a wide array of the different genres that have contributed to the evolution of Nueva Trova. Moncada, a multiple award winner in Cuba, is receiving an increased amount of attention in the United States after its recent appearance on Conan and an article in Rolling Stone. This review takes you a little deeper into their music.

This is not a revival of the music of the original Grupo Afrocuba, but fans of that group should go to the ends of the earth if necessary to find this music anyway. In many ways the sound is similar (not a big surprise since some of the same musicians are involved) , but La Academia is a step forward with deeper Afrocuban percussion fused with modern Cuban Jazz, Funk, Reggae and other music. The project is also designed to be educational for young people about percussion and rhythm in Cuban music. You probably can't buy this yet, but keep your eyes peeled. When this hits, it will turn heads. That shouldn't be too long since it was just nominated for a Cubadisco in the Jazz Cubano category.

I'm told that this very Cuban treatment of the music of Bob Marley drew a mixed reception from Reggae purists, but hey, it's not supposed to be an album of exact covers - it is a fusion of Cuban music and Reggae from a band that has the chops and arrangements to make it worthwhile. Get into Mr. Marley's frame of mind first, then listen - the band, Ruy López-Nussa and La Academia, and Everton "Pablo" Paul, the Jamaican lead singer, have put together a very intriguing album.

Santa Habana is a project that features Melvis Santa's compositions and draws heavily from her colleagues in Interactivo (of which she was a member) and German Velazco, Telmary, Rumberos de Cuba and others. She was also a founding member of Sexto Sentido, and this recording helps reassure us that intelligent new music is still being made in Cuba even after incorporating influences from the US that could have proven unhealthy.

HDP goes after new listeners here - there is still some Timba, but also a lot more Salsa Cubana that will be danceable by non-Cubans. Musically excellent, and it has a Grand Prize in Cubadisco along with the award for Música Popular Bailable - Maestros to show for it. Will it reach the new ears for which it is intended? Time will tell.

Bobby Sanabria and the Manhattan School of Music Afro Cuban Jazz Orchestra hit it out of the park again with Que Viva Harlem, a relentlessly swinging tribute to New York's Golden Age.

This 2015 Cubadisco winner (Grand Prize and Choral Music) is a album of Negro Spirituals in English. Surprised? Don't be. This has been going on for quite a while in Cuba, it just managed to stay off a lot of North American radar screens until now.

Winner of the Cubadisco 2015 award for Jazz Cubano (and nominated in the Recording category, an engineering award), Invención Lekszycki is a sort of panorama of the multiple roots that inform Ernán's work. Includes some unusual touches like Kelvis Ochoa singing a Jazz ballad and some Fusion elements. It works.

The original Orquesta América was the cradle of the chachachá, and the Cuban version (it's complicated, there are offspring in Mexico and the US) of this fine charanga orchestra celebrated its 70th Anniversary in 2012. 70 Americas won Cubadisco 2015 awards for Miscellaneous Traditional and Liner Notes for this new recording by a younger generation of members.

Pure Mezcla is a live recording by Pablo Menéndez and Mezcla, recorded live at Yoshi's Oakland in 2013 and released in February 2015. Several critics and a battallion of Latin Jazz and World Music DJs love it. Since one TIMBA.com member produced it (Bill Tilford) and another mastered it (Michael Lazarus), we'll let those other critics tell you how good it is.

JG's second album has has a contemporary, upbeat sound that epitomizes Cuba's youth culture. I highly recommend it for dancers and DJs. Put this on at parties and watch the dance floor fill up!

No, it's not about the Dolezal case, although it is based on a diffaerent identities question, specifically how New Yorkers of Puerto Rican descent identify themselves. Instead of talking heads screaming at each other though, you get some really wonderful Latin Jazz.

Timberos, it appears that Tiempo Libre really, really, really wants you back. That's b-a-c-k, NOT b-a-c-h. They are getting back to their origins at the very moment when some other Timba bands are running away from theirs for the promise of somethingorother. Exhibit A is the first video inside...

Eterno Formell, which won an Extraordinary Prize in Cubadisco 2015, is a very imaginative reworking of several classic Juan Formell compositions. Like Juan's personal musical experiments in life, some of these new versions stand out more than others, but the best of this project shows pure genius on the part of the arrangers, and the artists are superb.

Planeta Planetario features Diana Fuentes, an excellent vocalist, in a few different Pop music styles. It should be noted that the term "Pop" (as opposed to Nueva Trova) applies to music more or less similar to the rest of the world's use of the term.

Trombonist/Composer/Bandleader Papo Vazquez has been experimenting with Bomba Jazz, which incorporates Puerto Rican Bomba and Plena with Hard Bop, since the 1980s. The mature results are VERY impressive.

Alain Pérez's 4th album (and his first for a Cuban label) is a very well put together special project - a solid dance album, part TImba, part Salsa Cubana, part ballad, all quite good. It was nominated for a Cubadisco 2015 in the category Música Popular Bailable - Novedades, "novedades" being relative here. Some of it has an early NG La Banda vibe.

Like the group's name, this album is deceptively basic. A good solid dance album, but while you think you are dancing guaguancó, for example, it sneaks up on you with Vallenato stylings and other odds and ends. Which won't stop you from dancing. This was nominated for a Cubadisco 2015 in the Música Popular Bailable -Maestros category.

Nominated for a Latin GRAMMY (Salsa), a GRAMMY (Best Tropical Latin) and a Cubadisco (Música Popular Bailable - Maestros), this is an extremely solid dance album, and if that was its mission, then "mission accomplished". One does look at the guest artists and wonder what might have been...

This intense trio recording was nominated for a Cubadisco 2015 award in the Jazz category. The liner notes shout out to Miles and Trane, Woody Shaw and Wayne Shorter, and they are undoubtedly important influences, but some of Dave Holland's small combo work might be a better example of the part of the spectrum this inhabits.